We cannot extract just one idea from the suggestive work of this Madrid native (1979). Her paintings are open to multiple interpretations, in such a way that they cease to belong to their author to become the property of whoever contemplates, understands, penetrates or gazes upon them until they take them on board, crossing the mirror of representation to find themselves before an ever-fragile truth that verges on the sublime.
Cristina Burgueño’s painting exudes rebelliousness, non-conformism and disobedience to clearly convey to the spectator her intention to forgo external references. From the frontier of transgression, the artist puts subjectivity on hold and raises in whoever contemplates her pictures a wide variety of unanswered questions. Her brush strokes, her art, could be said to have no set destination nor point to a progression where, in the end, we would find the most beautiful object; but that is not the case, they show merging horizons or the illusion of a world seen from her own eyes and from her feelings, in a personal quest around the graphic symbol and materials.
The author gifts us with poetic, intimate works that she presents in series, mainly directed at the search for human beings’ connections with the metaphysical, with the earth and with themselves. She plays with the vertical and horizontal alignment of the fabrics and vinyls, combining watercolours, acrylics and pastels. The extenuating presence on her canvases or on her painting boards of red hues illustrate her interest in conveying the most primitive emotions: life, death, happiness and pain, eroticism, passion, fire and blood.
Cristina Burgueño took her incipient steps in her artistic career in Dublin, Ireland, in 1999, although it was not until 2010 when she threw herself into painting full time, driven by an (urgent) need to express herself through paint brushes.
In the early years, she experimented with different pictorial techniques and schools. She cultivated figurative art and the use of a variety of vehicles and materials in her initial works to then focus her search for new styles in the sphere of abstract art. Under the auspices of her maestro, Juan Carlos Sanz, from the Circle of Fine Arts of Madrid, she delved deeply into the study and practice of neo-expressionist techniques, abstraction and pictorial colourism. The time she spent at these workshops enabled her to come into contact with other artists interested in the informalism and expressionism of the mid- and late-20th century and, as a result, she joined the core founders of ‘Colectivo Pictor’. She is currently a co-founder of the ARTemisia international group of visual artists and a member of the Mexican Minotauro Azul community.
She has shown her paintings in several exhibition rooms in Madrid and Mexico, as well as at art fairs in Valencia and at Art Fair Malaga 2017. In 2019, she made the quantum leap to the European market represented by the Van Gogh Art Gallery at the Salzburg International ArtFair in Austria.
The artist combines her passion for plastic arts with her professional career in the communication field.